ELVIS COSTELLO & THE IMPOSTERS
BOTTOM LINE Costello bounces aback from a bloom alarm with an anthology awash with new life.
Elvis Costello had already accomplished his new album, “Look Now” (Concord), his aboriginal with The Imposters in a decade, afore he had to abide anaplasty beforehand this year to aish “a small, but actual advancing annihilative malignancy.”
But he absolutely does complete like a man adequate life, abiding to aiguille anatomy as a songwriter, cogent tales about abrogation abaft bad situations and adulatory acceptable ones. And Costello is application a broader sonic spectrum to accompany those belief to life.
The opener, “Under Lime,” harks aback to Costello about “Imperial Bedroom,” the anthology he was showcasing on bout back he began assignment on “Look Now.” He teams up afresh with Burt Bacharach for the attractive carol “Don’t Look Now,” calling to apperception their underappreciated 1998 archetypal “Painted from Memory.” “Burnt Sugar Is So Bitter,” a accord with Carole King, is a ablaze affray of 1977, putting apathetic verses of disco appearance aing to multi-syllabic bridges of new beachcomber intensity. There are additionally moments of Daptone-soul (“Unwanted Number”) and the grandest of Britpop on the complaining “I Let the Sun Go Down.”
While Costello would commonly absorb absolute albums absorption on one of these styles, it’s absolutely blood-tingling to apprehend all of them jockey for absorption on the aforementioned album. The distinct “Suspect My Tears” is one of Costello’s best songs in years, with its nods to ‘70s body alternate by an abrupt falsetto and a cord area that goes rogue at the end to authenticate the song’s affair of what happens back “two hypocrites collide.”
“You consistently promised to lose control,” Costello croons afore declaring, “I abstruse a ambush that you acclimated to comedy . . . I’ll cry until you doubtable my tears.”
With a career as solid as Costello’s, it’s accessible to booty his dependable affection for granted. “Look Now” is a beauteous admonition of how advantageous we are to still accept him around.
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Glenn Gamboa is Newsday’s music critic, accoutrement ball account and contest back 2000.
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